Ivan Mosjoukine

Known for ActingBorn 1889-09-26Died 1939-01-18Kondol, Saratov Governorate, Russian Empire [now Russia]

Ivan Ilyich Mozzhukhin, usually billed using the French transliteration Ivan Mosjoukine, was a Russian silent film actor, writer and director. Born in Kondol, in the Saratov Governorate of the Russian Empire (present-day Penza Oblast in Russia), Ivan Mozzhukhin was the youngest of four brothers. His mother Rachel Ivanovna Mozzhukhina (née Lastochkina) was the daughter of a Russian Orthodox priest, while his father Ilya Ivanovich Mozzhukhin came from peasants and served as an estate manager for the noble Obolensky family. While all three elder brothers finished seminary, Ivan was sent to the Penza gymnasium for boys and later studied law at the Moscow State University. In 1910, he left academic life to join a troupe of traveling actors from Kiev, with which he toured for a year, gaining experience and a reputation for dynamic stage presence. Upon returning to Moscow, he launched his screen career with the 1911 adaptation of Tolstoy's The Kreutzer Sonata. Mosjoukine's most lasting contribution to the theoretical concept of film as image is the legacy of his own face in recurring representation of illusory reactions seen in Lev Kuleshov's psychological montage experiment which demonstrated the Kuleshov Effect. In 1918, the first full year of the Russian Revolution, Kuleshov assembled his revolutionary illustration of the application of the principles of film editing out of footage from one of Mosjoukine's Tsarist-era films which had been left behind when he, along with his entire film production company, departed for the relative safety of Crimea in 1917. At the end of 1919, Mosjoukine arrived in Paris and quickly established himself as one of the top stars of the French silent cinema, starring in one successful film after another. Handsome, tall, and possessing a powerful screen presence, he won a considerable following as a mysterious and exotic romantic figure. Mosjoukine's film stardom was assured and during the 1920s, his face with the trademark hypnotic stare appeared on covers of film magazines all over Europe. He wrote the screenplays for most of his starring vehicles and directed two of them, L'Enfant du carnaval (Child of the Carnival), released on 29 August 1921 and Le Brasier ardent (The Blazing Inferno), released on 2 November 1923. The leading lady in both films was the then-"Madame Mosjoukine", Nathalie Lissenko. Brasier, in particular, was highly praised for its innovative and inventive concepts, but ultimately proved too surreal and bizarre to become financially successful. Ivan Mosjoukine died of tuberculosis in a Neuilly-sur-Seine clinic. All available sources give his age as 49 and year of birth as 1889. However, his gravestone at the Russian cemetery in the Parisian suburb of Sainte-Genevieve-des-Bois is inscribed with the year 1887.Read more

Movies & web series

Nitchevo

Les Ombres Qui Passent

Behind the Screen

Sergeant X

Manolescu, the Prince of Swindlers

The President

Tempêtes

Sin

Life in Death

Alcoholism and Its Consequences

Accession of the Romanov Dynasty

The Adjutant of the Czar

L'enfant du carnaval

Casanova

The Secret Courier

Nuit de carnaval

Her Heroic Feat

At Midnight in the Graveyard

Do You Remember?..

The White Devil

The Late Mathias Pascal

Justice d'abord

The Queen's Secret

The Lion of the Moguls

The Precipice

Worker's Quarters

The Kreutzer Sonata

A Narrow Escape

The Burning Crucible

Michel Strogoff

Satan Triumphant

Surrender

Kean

Kuleshov Effect

Loves of Casanova

Chrysanthemums

Knight's Spirit

The Little House in Kolomna

Sorrows of Sarah

Uncle's Apartment

The 1002nd Night

Glory to Us, Death to the Enemy

The House of Mystery

Woman of Tomorrow

Father Sergius

The Queen of Spades

The Night Before Christmas

Defence of Sevastopol